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Printing News

Three Days Left to Enter Our Latest Amazon Gift Card Giveaway!

10/31/2017

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Three Days Left to Enter Our Latest Amazon Gift Card Giveaway!

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It’s a terrible feeling to run out of filament when you’re in the middle of a 3D printing project. Of course, proper preparation can ensure that that doesn’t happen, but sometimes money is tight, and filament costs can add up. It would be great to have a bit of extra money that you could use specifically for 3D printing supplies – like a gift card. It’s hard to find gift cards that are specifically for 3D printing suppliers, but then there’s Amazon, which sells just about everything – including 3D printing supplies.

We want to help you keep your filament and other 3D printing supplies stocked, so in partnership with our sister site 3DPrintBoard.com, we’re offering $100 worth of Amazon gift cards to readers in a giveaway that ends this Friday, November 3rd. The first place winner will receive a $50 gift card, the second place winner will receive a $30 gift card, and the third place winner will receive a $20 gift card. There are 11 ways to enter:

Our 3D printing survey is also offering three Amazon gift cards in a drawing for anyone who fills it out, so if you take that option, you have double the chance to win!

It’s easy to enter and if you win, there’s plenty you can buy. You can restock your filament supply, try out some new experimental filament you haven’t been willing to put money down on yet, get some post-processing supplies, some print bed adhesive, even give yourself that extra little push you needed toward buying a new 3D printer. Of course, you can always go the non-3D printing route too, and buy some books, or clothes, or get an early jump on your holiday shopping. It’s up to you, but you only have until Friday, so enter now!

Have you entered our giveaway? Let us know at 3DPrintBoard.com or below.

 





Printing

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October 31, 2017 at 01:13PM
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Peim van der Sloot

10/31/2017

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Peim van der Sloot

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Peim van der Sloot was born in the Netherlands, but grew up on a bio-dynamic farm in Argentina. He came back to graduate at the Academy of the Arts in Utrecht in 2010. During his studies he was (and still is) always looking for interesting niches between visual arts, design, performance, installation and film.

After running a graphic design studio for five years, working with companies like Sagmeister&Walsh and Kunsthal Rotterdam, he is now only focusing on his autonomous projects. With unusual materials, vibrating colors, patterns and compositions he’s been producing work at an impressive rate. Through a wide range of graphic techniques including collages, silkscreen and print he is ‘tricking’ the visual perception of the viewer, focussing on the relationship between colors and how they effect the retina and the mind.

His works are generally based on grids and distortions making use of repetition as a compositional method. With a minimalistic punk approach he often reacts to a capitalized world in an ironic, poetic or critical way. The performative aspects of making the works are not ignored but rather encouraged.

In his studio in the Kolenkit district in Amsterdam, he manages to cultivate the ‘laboratory feeling’ he loved so much in art school. By experimenting and collaborating with friends, family and other artists, his studio has become a meeting place for anyone curious, where the creation processes are as interesting as the results.
On his recent ‘artist in residence’ at AGA_LAB he concentrated on the screenprinting technique which resulted in works like ‘Narco-state’: 23000 dots printed with cocaine (the same amount as drug related victims in Mexico in 2016) and ‘Drones fly, children die’ a double split-fountain print with the Predator drone.

His collaborative and autonomous projects has been exhibited in different galleries around the world, including Kunsthal (NL), Kapitaal (NL), Tanec Praha (CZ), Amsterdams Grafisch Atelier (NL), B#S Gallery (IT), Musiques Démesurées Festival (FR), Ship of Fools (NL), Alfred ve dvore (CZ), Arti et Amicitiae (NL) and MIADA (CN).

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October 31, 2017 at 12:47PM
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The Top Ten Most Significant 3D Printed Things: The Results Are In

10/31/2017

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The Top Ten Most Significant 3D Printed Things: The Results Are In

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First I came up with a list of the 10 most significant 3D printed things, then this list was expanded upon to include 24 and you could vote to determine once and for all what in 2017 would be the Most Significant 3D Printed Thing.

I’ve tabulated your results and the winners are…….

10. CRP Technology’s Lamborghini Headlight Washer Flap 

Italian 3D printing service CRP Technology showed us back in 2003 what a role 3D printing could play in automotive manufacturing. A delayed first Lamborghini Gallardo absolutely had to be made on time for launch. An eager public and press awaited the debut of the sports car. Manufacturing delays with molding companies almost ruined the crucial launch. 3D printing comes to the rescue. CRP 3D prints the functional Headight Washer Flap for the first hundreds of Lamborghinis. This is a powerful portend of future 3D printing use by car companies.

9. GE’s LEAP Fuel Nozzle 

The image that launched 1,000 PowerPoints. Industrial use of 3D printing has been growing for decades. It took GE‘s wish to industrialize the process for actual commercial aviation engine parts to inspire much of the world’s business community to catch on. Furthermore GE’s bracket challenge showcased what was possible with 3D printing and how metal 3D printed parts could save weight.

8. SLM Solutions and Professor Wood Acetabular Cages 

SLM Solutions is still one of the largest metal 3D printer OEMs. Way back when the company also pioneered using 3D printing to make acetabular cages. These hip replacement implants are now 3D printed in their tens of thousands. A pioneering use for metal 3D printed parts in real life applications as well as in the human body, this led us (together with other similar developments) to many more uses for metal 3D printing in medicine.

7. Olivier van Herpt’s 3D Printed Ceramics

Olivier was the first to 3D print large functional 3D printed ceramics and has been working on developing his own 3D printing technology for over five years. Even today most 3D printed items in ceramics are 10 by 10 centimeters at best while Oliver has been able to routinely 3D print items of 80cm and more in height. Vases, bricks, busts and sculptural objects 300mm by 800mm are made in a matter of hours, much faster than 3D printing with polymers.

6. Scott Summit’s 3D Printed Fairings

In 2008 Scott Summit showed us that we could use 3D printing to make fairings, braces and prosthetics. A prosthetic could be a beautiful as well as functional thing and 3D printing could usher in the next generation of medical devices. The aesthetic has been copied often since but Scott pioneered it.

5. Luxexcel’s 3D Printed Optics

Luxexcel wowed the world when it was able to make the world’s first optically clear and functional ophthalmic specialty lenses using 3D printing. Their invention could potentially disrupt a number of industries and have real impact on glasses as well as industry.

4. Materialise’s CMF Implant for Surgical Planning

Materialise is the leader in 3D printing software as well as one of the largest 3D printing service bureaus in the world. This unique combination gives the company an edge in developing software and new applications for 3D printing. 3D printed hearing aids, implants and surgical guides are just some of the things pioneered by the Belgian company. In 1996 the company produced a 3D print that could act as a surgical planning tool. CMF (Cranio Maxillo Facial) surgeries are complex with unique implants often needed to replace or repair damaged portions of the face or skull. With 3D printed CMF implants years away from being possible the company did the next best thing and prepared a surgical planning model based on an MRI. This was one of the first significant movements towards medical 3D printing.

3. Benchy by Creative Tools

The 3D Benchy is a 3D printing torture test. A deceptively fun and simple looking model it can tell you a whole lot about how your 3D printer is working, what you need to improve and how it compares with other machines. Released by distributor and retailer Creative Tools the Benchy helps 3D printer operators develop, improve and dial in their 3D printers. For OEMs, resellers, distributors and companies the Benchy can be used to benchmark settings, filaments, printers and software with competitors. The Benchy is for many a unmissable tool in their 3D printing arsenal.

2. The e-NABLE Hand

3D printed prosthetics have been a thing for a while. Many have long had desktop 3D printers as well. The e-NABLE hand showed us all that 3D printers could be used for good, not by some anonymous corporation but by you at home. The powerful combination of low-cost 3D printing and community driven design led to tens of thousands of people volunteering their time to work with e-NABLE. A future of distributed innovation and production could potentially await us.

1. RepRap Machine Parts by the RepRap Project

The RepRap Project has had a huge influence over desktop 3D printing. Spawning MakerBot as well as Ultimaker and subsequently hundreds of other firms, the Project showed us all a 3D printing future that could happen. Desktop 3D printers would build a future for us all if we only built them. Dr. Adrian Bowyer collaborated with core contributors from around the world to bring first one and then many RepRaps to us all making the 3D printing revolution possible.

Do you agree with the voting results? Discuss this and other 3D printing topics at 3DPrintBoard.com or share your thoughts in the Facebook comments below. 

 





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October 31, 2017 at 11:49AM
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3D Printing Among Practical Effects Used to Help Stranger Things' Monstrous Demogorgon Take Shape

10/31/2017

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3D Printing Among Practical Effects Used to Help Stranger Things' Monstrous Demogorgon Take Shape

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[Image: IMDB]

From

3D printed props

and

stop motion puppets

to using 3D models for designing

superhero looks

and 3D scanners to create

digital stunt doubles

, 3D printing technology has definitely

found a home in Hollywood

when it comes to

creating amazing visual effects

 (VFX). Binge-worthy Netflix original series 

Stranger Things

, which celebrates all things spooky and nostalgic, has also made good use of the technology when bringing some its terrifying visions to life.

The world of Stranger Things, for those who don’t know (and if you don’t, then you should), is set in the early 1980s in Hawkins, Indiana, which has become home to some pretty gnarly monsters, like the Demogorgon from Season 1. Show creators the Duffer Brothers wanted to use more practical effects to bring the monster to life, and called on VFX and design studio Aaron Sims Creative (ASC).

In the current landscape of CGI effects, this is a fairly odd request, but ASC was up to the challenge, though the studio suggested that a hybrid VFX approach of both digital and practical effects would give the creators that authentic, ’80s sci-fi look they were going for.

When digital technology first arrived in Hollywood, but before innovative methods like 3D printing, augmented reality, and virtual reality were readily accessible, these types of practical effects seemed like they were falling by the wayside.

“I think if people 20 years ago were to see what we create right now, their minds would explode. Right now, we’re accustomed to it and, in some ways, bored by it,” said Aaron Sims, Founder and President of ASC. “It’s amazing how things grow and change because of innovation, but also because of people always wanting more.”

The Demogorgon costume ended up being built in such a way that CG enhancements, like digitally simulated slime, could be added later. By using 3D and digital technology, ASC was able to be involved in the entire ideation process.

“The Duffer Brothers originally came to us for the creature designs for the Demogorgon, but it turned into a lot more than that. We ended up helping them design the whole world, the Upside Down, all the different aspects of the show,” said ASC Creative Director Steffen Reichstadt. “But the Demogorgon specifically was really cool. They really wanted it to feel like that old-school, ’80s-mentality, guy-in-a-suit kind of thing.”

3D printed Demogorgon model

Back in the 1980s, when the show is set and before digital effects were an everyday occurrence, as soon as production started, VFX studios would work with film producers to create character models; while these models are now typically created by vendors later in the process, ASC prefers to keep things old school.

“We come on board early on, when they’re actually writing the script, to help shape the direction of the series, the tone, the look, the feel. That helps everybody get their head around it before they move forward and have a script,” explained Sims.

“We look at every project as bringing these characters to life. How do we look at the script, work with the director, figure out exactly what it is that this character has to evoke, and what can we do to help bring that to life? That’s exciting to me. It’s exciting for all of the artists, because it becomes something more personal. It’s not like you’re just doing this as a job and you’re just a manufacturing company, ‘here’s another creature.'”

Specifications for the Demogorgon were not very, for lack of a better word, specific – which Sims says is fairly normal in terms of the show writing process.

Sims said about the Demogorgon specs, “It’s a biped, it’s multi-limbed, it’s actually humanoid, very skinny, very thin, lanky, tall, and no face, but has to eat people.”

The only other requirement given for the monster was that it needed to “elicit ’80s practical effect nostalgia,” and ASC got to work. Sims created the first sketch of the Demogorgon’s flowering, teeth-covered head, which was augmented by the design team and later approved by the directors.

“That initial sketch was really helpful because it allowed us to get tacit approval from the directors right off the bat,” Reichstadt said. “We kind of know what direction we’re moving in after that.”

ASC then created digital 3D assets for the monster, which, once they’ve been sent to the film studio, typically marks the end of a VFX studio’s part in the process. But Sims has a background in clay maquettes and other practical effects, and suggested using a 3D printed model to really get the feel for the Demogorgon.

“When you’re using your imagination on a project, somebody else is too. And your imaginations might not line up. It’s pretty hard to debate something that’s right in front of you in physical reality. You can point at something and say this isn’t right, or this is,” Reichstadt explained. “With a digital model, you can kind of debate that, and it can stay up in the air until the last minute. Whereas with practical effects, you know, concretely, what it is moving forward.”

ASC uses desktop stereolithography 3D printers from Formlabs to print its creations.

“The Demogorgon was one of the first prints that we did using our Formlabs 3D printers, and we were amazed. Before that, we had always outsourced printing. So to be able to grow it in-house, and see a design that we helped create from the very beginning printed right in front of us, was kind of an amazing thing. It was like going back to the days of when we used to sculpt with clay,” said Sims.

Check out a look into the creation process from Formlabs:

Discuss this and other 3D printing topics at 3DPrintBoard.com or share your thoughts in the Facebook comments below. 

[Source/Images:

Formlabs

]

 





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October 31, 2017 at 10:59AM
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Ilya Fox

10/31/2017

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Ilya Fox

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Ilya Fox is an independent graphic artist from Jerusalem, Israel and currently resides at Berlin, Germany. A graduate from Visual Communication Dept., at Bezalel, Academy of Arts and Design, Jerusalem, his final project titled ‘Bachelor of Design’ was a 25 poster project about thoughts and problems that students and designers are facing in our times. Overload of design on the internet, lack of originality and a unique voice, our duties as graphic designers, the gap between the academy and the internet and the most inherent question…how to design? 

The project aims to reveal the backstage of being a graphic design student. The project was (and still is) an exploratory space for Ilya to ask questions, to understand what is the meaning of design practice, to put a finger on personal but critical problems in the graphic design field and graphic design studies and in somewhat — of nowadays culture. 

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October 31, 2017 at 10:25AM
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Better Marine Grade Stainless Steel Through 3D Printing

10/31/2017

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Better Marine Grade Stainless Steel Through 3D Printing

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It takes a special kind of material to be able to hold up in a marine setting, with its harsh conditions and corrosive environment. So-called marine grade stainless steel is commonly used in maritime applications because it can handle those conditions. Its resistance to corrosion and its ductility, or ability to bend without breaking, make it a valued material in not only that industry but several others, including oil and gas, medical equipment and more. There’s one issue, though – the techniques used to strengthen the material typically reduce its ductility.

A group of researchers from Lawrence Livermore National Laboratory (LLNL), Ames National Laboratory, Georgia Tech University, and Oregon State University have successfully 3D printed one of the most common forms of marine grade stainless steel, called 316L, in such a way that both strength and ductility are retained. The research was published in an article entitled “Additively manufactured hierarchical stainless steels with high strength and ductility,” which you can access here.

“In order to make all the components you’re trying to print useful, you need to have this material property at least the same as those made by traditional metallurgy,” said LLNL materials scientist and lead author Morris Wang. “We were able to 3D print real components in the lab with 316L stainless steel, and the material’s performance was actually better than those made with the traditional approach. That’s really a big jump. It makes additive manufacturing very attractive and fills a major gap.”

Before they could successfully 3D print the stainless steel, the researchers had to overcome one major obstacle of metal 3D printing: porosity. Porosity is a common issue that occurs during laser melting and that can cause parts to easily degrade and fracture. To overcome this, the scientists created a density optimization process through experimentation and computer modeling, and worked to manipulate the materials’ underlying microstructure.

LLNL materials scientist Joe McKeown looks on as postdoc researcher Thomas Voisin examines a sample of 3D printed stainless steel.

“This microstructure we developed breaks the traditional strength-ductility tradeoff barrier,” Wang said. “For steel, you want to make it stronger, but you lose ductility essentially; you can’t have both. But with 3D printing, we’re able to move this boundary beyond the current tradeoff.”

The team used two different laser powder bed fusion 3D printers to print thin plates of the stainless steel for mechanical testing. This created hierarchical cell-like structures that could be tuned to alter the mechanical properties of the steel.

“The key was doing all the characterization and looking at the properties we were getting,” said LLNL scientist Alex Hamza, who oversaw production of some additively manufactured components. “When you additively manufacture 316L it creates an interesting grain structure, sort of like a stained-glass window. The grains are not very small, but the cellular structures and other defects inside the grains that are commonly seen in welding seem to be controlling the properties. This was the discovery. We didn’t set out to make something better than traditional manufacturing; it just worked out that way.”

Morris Wang (L) and Thomas Voisin

According to LLNL postdoc researcher Thomas Voisin, the work could shine new light on the structure-property relationship of 3D printed materials.

“Deformation of metals is mainly controlled by how nanoscale defects move and interact in the microstructure,” Voisin said. “Interestingly, we found that this cellular structure acts such as a filter, allowing some defects to move freely and thus provide the necessary ductility while blocking some others to provide the strength. Observing these mechanisms and understanding their complexity now allows us to think of new ways to control the mechanical properties of these 3D printed materials.”

Wang said that years of simulation, modeling and experimentation went into the research in order to understand the link between microstructure and mechanical properties. The stainless steel they worked with, he said, can be considered a “surrogate material” system that could be applied to other types of metals. Eventually, they want to use high-performance computing to validate and predict future performance of stainless steel, using models to control the underlying microstructure. They hope to learn how to make high-performance, corrosion-resistant steels and then use similar methods with other lighter-weight alloys that are prone to cracking and brittleness.

Contributors to the paper include Y. Morris Wang, Thomas Voisin, Joseph T. McKeown, Jianchao Ye, Nicholas P. Calta, Zan Li, Zhi Zeng, Yin Zhang, Wen Chen, Tien Tran Roehling, Ryan T. Ott, Melissa K. Santala, Philip J. Depond, Manyalibo J. Matthews, Alex V. Hamza and Ting Zhu.

Discuss this and other 3D printing topics at 3DPrintBoard.com or share your thoughts below. 

[Source:

LLNL

 / Images: Kate Hunts/LLNL]

 





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October 31, 2017 at 09:37AM
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Daniel Peter The Monthly Calendar

10/31/2017

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Daniel Peter — The Monthly Calendar

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Daniel Peter is a Swiss designer and art director based in Bern. He creates visual concepts for culture, art, music and advertising. He was also recently part of Studio Feixen, worked at Velvet, Raffinerie, Thonik and Hi. His project ‘The Monthly Calender’ is clean, simple and functional.The project discovers compositions in manual printing. Handcrafted forms have created 50 individual covers for the agenda in an intuitive process and A5 format.




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October 31, 2017 at 09:20AM
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atum3D to Debut New 3D Printer Software Industry Excellence Packs at formnext

10/31/2017

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atum3D to Debut New 3D Printer, Software, Industry Excellence Packs at formnext

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One of the biggest annual events in additive manufacturing is formnext, which begins in Frankfurt, Germany in just two weeks. With all of the international attention the conference garners, many 3D printing companies around the world use the opportunity to debut their latest products and innovations. At last year’s formnext, Dutch digital light processing (DLP) specialist and 3D manufacturing leader atum3D unveiled its flexible DLP Station 4 3D printer, and now it’s getting ready to introduce three new products at this year’s event.

The DLP Station 5 is the first of these innovations. The 3D printer looks similar to its predecessor, but has increased accuracy, consistency, and speed thanks to a new, specially designed, industrial high-power light source.

“Thanks to this high-power unit, DLP Station 5 offers unprecedented build speeds and consistent accuracy,” said Guy Nyssen, Channel Manager at atum3D.

The new state-of-the-art 3D printer features an open resin platform, so users can select different resolutions and wavelengths, and it’s available in a standard 405 nm wavelength version, as well as a 365 nm wavelength option, depending on the necessary build material properties and application.

Nyssen explained,  “This unlocks the full potential of our open resin platform technology, as certain material properties are currently only available when using 365 nm curing resins.”

The company’s cost-efficient DLP Station printers are 192 x 250 x 120 mm, weigh 32kg, can print at speeds of up to 50 mm per hour, and have a resolution up to 6 µm after Tolerance Tuning. However, the DLP Station 5 has a more “optimized practical usability” than the Station 4.

atum3D will also be showcasing its new Operator Station software at formnext, which now includes its MAGS AI technology for a unique approach to 3D model preparation.

“This innovation takes an entirely new approach to object orientation and automatic support generation, optimizing and speeding up both preparation and post processing,” Nyssen said. “It’s added to the proprietary algorithms that allow Operator Station to optimize accuracy for build on DLP Station hardware which, for example, makes it possible to create truly round openings. It’s a unique combination of speed, accuracy and ease-of-use.”

atum3D has been paying close attention to its customer feedback, which leads us to the final new product to be unveiled at formnext – Industry Excellence Packs, which will be pretty valuable to potential customers.

“Introducing 3D manufacturing to an existing business to speed up and optimize trusted business processes can be overwhelming,” Nyssen said. “As we aim to be side by side with atum3D customers and make their life easy, we’ve created the Industry Excellence Packs.”

The packs are specific to four different industries – Dentistry, Jewelry, Manufacturing, and Product Design – and combine all of the software, hardware, resin, services, and post processing solutions necessary for those applications.

“We propose the best combinations based on our experience. For example, a dental laboratory chooses 3D manufacturing to create accurate dental parts in-house fast, increasing patient satisfaction and reducing cost-per-part. That’s why atum3D includes all must-haves to start benefiting from the get-go in the Dentistry Excellence Pack, such as hardware which largely automates post processing, a dental resin, all consumables as well as operator training and support,” said Nyssen.

“We’ll probably add additional Industry Excellence Packs in the near future. These comprehensive products allow us to convey our experience and advice to potential customers. Of course, we’re always ready to further customize the proposed Packs to the customer’s specific wishes.”

For now, users can get the Product Design Excellence Pack, the Dentistry Excellence Pack, the Jewelry Excellence Pack, and the Manufacturing Excellence Pack, all of which were created by atum3D in an effort to make the user’s life as easy as can be.

Nyssen said, “We can’t wait to showcase the results of our team’s hard work in Frankfurt. It’s fitting that all three pillars on which atum3D is built, being our in-house expertise in the fields of hardware engineering, software development and resin chemicals, all contributed to the innovations on show at formnext. We strive to offer exceptional accuracy, speed and cost effectiveness and make our customer’s life easy through training, services and support. The new DLP Station, Operator Station software and Industry Excellence Packs do just that!”

According to Nyssen, there is a Dutch saying that, when translated, means ‘all good things come in three,’ which he believes is “spot on” in terms of atum3D’s newest innovations.

“atum3D invites everyone to visit our booth 3.1-C78 and experience these innovations firsthand at the Messe Frankfurt from November 14 through 17. We’re looking forward to presenting our products and services to potential customers and professional distribution partners alike,” said Nyssen.

Don’t forget, 3DPrint.com will also be at formnext, working to bring you all of the latest product news right from the show floor.

Discuss this and other 3D printing topics at 3DPrintBoard.com or share your thoughts below.

 





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October 31, 2017 at 08:34AM
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12 Posterzine Best Sellers

10/31/2017

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12 Posterzine™ Best Sellers

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We celebrated going into our third year of publishing Posterzine™ by throwing a party in Shoreditch, you can see what went down in the short video below. We thought we collate some of our best selling issues into one article. Keep scrolling down where you can add the items to your cart directly from this page. We also have some incredible subscription and bundle offers over at posterzine.com





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October 31, 2017 at 08:23AM
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3D Printing Resources: We Want to Know What You Want to See

10/31/2017

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3D Printing Resources: We Want to Know What You Want to See

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So tell us what you want, what you really, really want. [Spice Girls image via BBC]

Whether we’re travelling the world to bring you first-hand news or keeping everyone at their computers with the latest educational webinars and white papers directly from the source, every day at 3DPrint.com we strive to be a resource to meet your needs for everything 3D printing. The editorial team work around the clock — and our freelancers work around the globe — to keep up to date with the busy world of news in additive manufacturing, while our behind-the-scenes business teams work directly with sponsors and industry leaders to provide unique resources including on-demand presentations and 3D design courses. As additive manufacturing continues to advance as an industry in its own right, we’re seeing an ever-greater need for a variety of resources to keep industry participants and watchers involved and informed.

The 3D printing industry is expanding by the day, and in an increasingly noisy business space we want to be sure that what we’re providing is what you’re looking for — so please let us know what you want to see! We recently launched our 2017 survey, which takes just a minute of your time to provide feedback to help us guide our course.

If the quick response time and helpfulness of your input aren’t enticement enough, we’re also offering the chance for three respondents to take home Amazon.com gift cards with our gratitude. Three winners will each snag a $50 gift card; if you’d like to enter for the chance to be one of them, just be sure to leave your name and email address for a chance to win. The survey runs through late November; gift card winners will be randomly selected once it closes.

We want to know which of our current resources you use most. Are you big on daily news? Live for the latest white papers? Looking for quick shopping links? Hoping to hone your design skills? Let us know!

As we close out our fourth year of operation (an anniversary our sister site, forum 3DPrintBoard.com, hit last month), we’re looking to keep with the times in this fast-changing digital world. Do you want more services and resources? Let us know what you’d like to see! Podcasts? Jobs listings? Files to 3D print? Product reviews?

A quick tick lets us know what you’re using of our current offerings

We love to keep in touch with our readership, and as these numbers grow globally, we’re hoping to keep up with you and understand what will be of most benefit to you. More industrial additive manufacturing focus? More desktop 3D printing you can do at home?

2017 has seen our team attending events around the world and interviewing industry leaders, as well as running our Design for 3D Printing online courses (the next session, 3D Printing for Prototyping and Production, starts today!). To start off 2018, we’re hosting the business-minded Additive Manufacturing Strategies summit with SmarTech Markets Publishing to gather brilliant minds in healthcare and investment. (Want more interviews, more events, more contact with the leading companies and innovators? Let us know!)

As always, it’s a privilege for us to be part of your digital world, and we take that responsibility seriously. We’ll keep working the best we can to provide you with the best.

Please check out our latest 3DPrint.com Survey and help us to be the resource you’re looking for! And of course, we’re always open to non-survey feedback; reach out any time to us with your thoughts via email, on Twitter / Facebook / LinkedIn, at 3DPrintBoard.com, or in the Facebook comments below each article.

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via 3DPrint.com | The Voice of 3D Printing / Additive Manufacturing https://3dprint.com

October 31, 2017 at 08:05AM
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