Size: 83.5mm / 3.28″ x 119mm / 4.68″
Weight: 695g / 1.53lbs
That's really impressing for such a lens.
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MELVILLE, NY, November 4, 2020 – Canon U.S.A., Inc., a leader in digital imaging solutions, today introduced the Company’s next generation of multi-purpose cameras, the ML-100, and the ML-105[i], which deliver amazingly high sensitivity to capture Full HD Color video with a minimum subject illumination of less than 0.0005 lux (at maximum 75 dB gain setting, equivalent to an ISO sensitivity of over 4,500,000). With the ability to capture color low-light images, these multi-purpose cameras can be utilized in industrial system design, where seeing color images is critical during day and night. Canon’s new series of multi-purpose industrial machine vision cameras employ a next-generation 19um, 35mm full-frame CMOS sensor. The modular design of the cameras allows implementation and integration into industrial machine vision environments.
The ML series is available in two models with two different lens mounts and two video output configurations to choose from, for a total of four camera options. The ML-100 camera features a CoaXpress terminal, which allows for the transmission of video, camera-control data and power on a single coaxial cable, ideal for use in industrial systems. The CoaXpress terminal produces 12-bit RAW data output at up to 73 fps and allows for more flexibility during processing. The ML-100 features approximately 2.74 million pixels of maximum video output and supports Region of Interest, which can improve frame rate output up to 164 fps at 720p resolution. The ML-105 camera features a 3G/HD-SDI video terminal and can be suited for standard video environments where Canon image processing, including YCC 4:2:2 10-bit output, is required. The ML-105 features the Canon DIGIC DV4 Image Processor, capable of delivering Full HD resolution at 60fps. Both cameras can be ordered with either an EF or M58 mount for total system design flexibility. The EF mount gives customers the ability to choose from Canon’s still and cinema lens lineup, while the M58 offers lens customization and design choice to the user. The M58 mount version of the Canon ML-100 multi-purpose camera is scheduled to be available at the end of December 2020. The other three models are scheduled to be available in April 2021[ii]. For more information, please visit usa.canon.com. Photography via Canon Rumors https://ift.tt/2v4dYqS November 4, 2020 at 08:35AM
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A couple of weeks ago, the ML-100 and ML-105 came to light at a certification agency. These cameras are likely successors to the ME20F-SH and ME200S-SH. No specifications or pricing has leaked at this time, but these are likely to be officially announced soon. Photography via Canon Rumors https://ift.tt/2v4dYqS November 4, 2020 at 06:51AM
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The post Mastering Noise Reduction in Lightroom: The Essential Guide appeared first on Digital Photography School. It was authored by Simon Ringsmuth. Shooting at a high ISO is a great way to retain control over other exposure parameters such as aperture and shutter speed while still getting a usable image. However, even today’s digital cameras still produce noise and grain when shooting at values like ISO 6400, ISO 12800, and beyond. While an ISO 6400 photo is never going to look as clean as a photo taken at ISO 100, you can use Lightroom noise reduction to clean up your high ISO images. Mastering noise reduction in Lightroom involves a few tradeoffs. But it’s a great solution for people who need the flexibility of shooting at high ISO values while still getting great results. To understand how to use Lightroom noise reduction, it’s important to learn a little more about ISO. In a nutshell, ISO is a measure of a camera’s sensitivity to light. When shooting with film, each roll has a single value and cannot be changed until you use up all your exposures and put in a new roll. Digital photography, on the other hand, lets you alter your ISO any time you want. Higher ISO values let you use smaller apertures or faster shutter speeds because your camera produces a brighter exposure. As a result, you don’t need as much light coming through the lens in order to take a picture. This means that you can use a smaller aperture, faster shutter speed, or both. (Or you can use Auto ISO and let your camera figure out the rest.) The tradeoff is that increasing your camera’s ISO inevitably leads to noise being introduced to the picture. (Digital noise is kind of like the static you might remember seeing on old television sets.) High ISO shots aren’t as sharp, and colors aren’t as vibrant, thanks to noise. But if shooting at ISO 6400 means you can use a fast shutter speed to avoid motion blur, then it’s generally a tradeoff worth making. The best of both worlds would be a high-ISO shot that retains the color and sharpness of a low ISO shot. Unfortunately, that’s not actually possible (at least not with current technology). But mastering noise reduction in software such as Lightroom gives you a great deal of control over reducing high-ISO artifacts while keeping as much detail as possible. A closer lookThe effects of high ISOs aren’t always visible when photos are downsized for the web. To really see what happens at high ISOs, and to understand how to clean it up, you should look at images up close. Here’s a zoomed-in view of the above image; you can now see the effects of shooting at high-ISO values: Lightroom lets you remedy these ISO artifacts, at least partially, through the Detail panel in the Develop module. There are two types of noise reduction available: Luminance and Color. Luminance is the most common form of noise in digital photography and refers to the slight speckled variations in brightness from one pixel to the next. You can see this most clearly in the brown background on the left side of the above photo. Color noise is often obvious at very high ISO values like 25600 or greater. It looks like random splotches of color scattered around the brightest or darkest portions of an image. In modern digital photography, color noise isn’t nearly as much of an issue in most instances. Most of the time you won’t need to use the Color, Detail, and Smoothness sliders. For most practical purposes, it’s best to stick with luminance noise reduction adjustments. To access the noise reduction sliders, click the Detail panel in the Develop module. The noise reduction sliders are grouped with sharpening adjustments because these often go hand-in-hand. Boosting noise reduction can have a smoothing effect on your images which can be somewhat mitigated by adjusting the sharpening sliders. Getting detailedWhen working with luminance noise, there are three sliders to adjust:
Luminance is a measure of how much noise to remove, while Detail and Contrast give you finer control over the effects of the noise reduction. You might notice that Lightroom automatically applies a small amount of noise reduction to every RAW file by default. This is generally a good starting point because RAW files, due to their unprocessed nature, inherently contain more noise than in-camera JPEG files. And it’s almost always recommended to remove some of that noise even if just a tiny bit. To start the noise removal process, move the Luminance slider to the right. The farther you go, the more pronounced the noise removal effect will be. I generally don’t push it past 50, but your settings will depend on your image and your personal preferences. After adjusting the Luminance slider to your liking, use Detail and Contrast to bring back parts of your image that might have been lost by the noise reduction algorithm. Move the Detail slider to control the threshold at which the noise reduction starts to kick in. This can help retain some of the details in your image but end up leaving some of the noise intact. As you adjust the Luminance slider, you will see some parts of your picture get muddy, almost like a layer of petroleum jelly has been smeared across the shot. Use the Contrast slider to bring back some of the high-contrast parts of your image that are most affected by the Luminance slider. As with many aspects of photography, there is no single correct answer for how much noise reduction to use in Lightroom. Some high-ISO images will look fine without too much tinkering, while others require more drastic measures. Mastering noise reduction isn’t about finding one solution that works for every image. It’s about understanding how to use the editing tools to create the best possible outcome for any given photo. Low ISO versus noise reductionTo really understand how Lightroom noise reduction works, it helps to look at some comparisons of images so you can see the results for yourself. The following images show different versions of the same scene; one base shot is taken at a very low ISO, while another is taken at a high ISO. I then apply varying degrees of noise reduction and display the results. I took the first image at ISO 100: Here’s the same scene shot at ISO 6400 for comparison: When resizing images for the web, some of the issues with shooting at a high ISO are difficult to notice. However, a few artifacts do stand out, such as the muddiness of the solid blue radio toy, and a clear lack of definition in the intricate parts of the ball maze on the left. For a closer look, here are 100% crops of each image: When looking at these images close-up, it’s clear that the ISO 6400 photo is noticeably worse. However, if shooting at ISO 6400 or greater will give you the ability to get the shot you want, then it’s a tradeoff worth making. High-ISO shooting becomes even more practical when you learn to eliminate some of these issues in Lightroom. Using the noise reduction options won’t fix a high-ISO image entirely, but it can go a long way toward cleaning things up. Mastering noise reduction in Lightroom isn’t just limited to moving three sliders in the Detail panel. It’s best paired with other adjustments such as Texture, Clarity, Contrast, Saturation, etc. There is no one-size-fits-all preset to magically make your ISO 6400 images look as good as ISO 100 images. But with a little work, you can bring back some of the punch and brilliance of your originals. Noise reduction isn’t a cure-all, and it won’t resurrect parts of the image that were never captured to begin with. In the ISO 6400 shot above, no amount of software-based noise reduction can bring back the green paint along the white lines that were clearly present in the low-ISO image. But careful use of the tools available to you can go a long way toward making a messy picture more than usable. Mastering noise reduction in Lightroom: ConclusionMastering noise reduction in Lightroom isn’t a science; each image is different and your own preferences matter most of all. Shoot some test images at ISO 6400 or higher, then see what you can do to clean them up using the tools available to you. You might be surprised at how much latitude you have when editing. The more you experiment, the more skilled you will get. And soon you’ll be transforming your photos from noisy messes into near-masterpieces. The post Mastering Noise Reduction in Lightroom: The Essential Guide appeared first on Digital Photography School. It was authored by Simon Ringsmuth. Photography via Digital Photography School https://ift.tt/29wB9CX November 4, 2020 at 03:13AM
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MELVILLE, N.Y., November 3, 2020 – Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the compact and lightweight RF70-200mm F4 L IS USM and the RF50mm F1.8 STM, two completely re-designed RF mount lenses with bloodlines to immensely popular EF models that feature new lens formulas and enhanced elements. Canon is also introducing the PIXMA PRO-200 printer, which is ideal for photography students and graphic designers. “As Canon began to further build out the company’s RF lens portfolio, the goal in mind was to create advanced lenses, for a variety of experience levels, that also featured a sense of familiarity for longtime Canon users,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “Canon prides itself on being able to uniquely offer both input and output solutions to our customers. We are equally excited to see the images captured with the new lenses, and the prints that are to be created with the new PIXMA PRO-200 printer.” Preorder the new gear from Canon
Canon RF70-200mm F4 L IS USM Lens The Canon RF70-200mm F4 L IS USM lens is ideal for photography enthusiasts ranging from advanced amateur to professional skill levels. The compact and lightweight nature of the lens makes it Canon’s shortest and lightest 70-200mm F4 zoom lens to date. This RF lens is approximately 32 percent shorter and 11 percent lighter than its EF counterpart with a large portion of the lens element arrangement closer to the camera body. This arrangement is designed to provide photographers with a more balanced feel and experience even at the zoom range’s telephoto end. Additionally, the shorter and lighter design allows the lens to more easily be stowed away in a camera bag when not in use. The RF70-200mm F4 L IS USM features two independent Nano USM motors, providing an even greater level of high-speed autofocus for still image shooting as well as quiet and smooth autofocus for video shooting. The lens also incorporates a floating focus control that drives the two lens groups individually while using the two aforementioned Nano USM motors. The floating focus lens element shortens the focusing distance and helps reduce breathing, providing users with fast, consistent and reliable performance. Additional Features of The Canon RF70-200mm F4 L IS USM Lens Include:
Preorder the new gear from Canon Canon RF50mm F1.8 STM Lens Creatives love using a 50mm lens because that focal length is similar to the natural viewpoint of the human field of vision. This perspective allows for the lens to be used in a wide variety of shooting situations, including portraits, landscapes and food photography. What’s more, Canon 50mm f/1.8 lenses have long been a popular tool for both photographers and creators due to their budget-friendly price point, extremely compact and lightweight form factor, and versatility. The tradition continues with the RF50mm F1.8 STM that, in many ways, is improved over its EF counterpart. The first visually noticeable improvement is the customizable control ring that has become synonymous with RF lenses. The control ring allows photographers to adjust exposure compensation, shutter speed, aperture, or ISO and with a flip of the side switch can adjust focus. The inclusion of a PMo aspherical lens helps to reduce chromatic aberration and provides high-image quality even at the periphery of the image. Additionally, the combination of the lens shape and Super Spectra Coating (SSC) helps to minimize ghosting and flaring. Additional Features of The Canon RF50mm F1.8 STM Lens Include:
Preorder the new gear from Canon Canon PIXMA PRO-200 Printer Continuing a long history of high-quality input to output digital imaging equipment, the PIXMA PRO-200 printer is 15% smaller than its predecessor, the PIXMA PRO-100. With the ability to print up to 13 inches x 19 inches and featuring improved ChromaLife 100+ dye-based ink, the latest PRO printer helps to create prints that are more representative of the original digital file. A helpful tool of the trade for photographers who print work for themselves and graphic artists or photography students working on their portfolios from their homes, the PIXMA PRO-200 printer also features:
Pricing and Availability The PIXMA PRO-200 printer is scheduled to be available later in November for a suggested retail price of $599.99*. For more information, please visit cusa.canon.com. [i] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 200mm using the EOS R camera. [ii] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 200mm using the EOS R5 camera. [iii] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 50mm using the EOS R5 camera. Photography via Canon Rumors https://ift.tt/2v4dYqS November 4, 2020 at 01:47AM
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Here are the full specifications for the Canon RF 50mm f/1.8, I expect this lens to be announced later tonight. Canon RF 50mm f/1.8 STM:
Photography via Canon Rumors https://ift.tt/2v4dYqS November 3, 2020 at 07:03AM
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Size: 83.5mm / 3.28″ x 119mm / 4.68″ Weight: 695g / 1.53lbs That's really impressing for such a lens.
Photography via Canon Rumors https://ift.tt/2v4dYqS November 3, 2020 at 06:47AM
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The post ISO Settings in Digital Photography appeared first on Digital Photography School. It was authored by Darren Rowse. ISO is one of three important settings on your camera that are used to take well-exposed photos. The other two fundamental settings are aperture and shutter speed – and if you’d like to learn about these settings, check out our introduction to aperture and our beginner’s guide to shutter speed. An introduction to ISO settings in photographyWe regularly get questions about ISO from readers of Digital Photography School like these:
In this short tutorial, I want to answer each question in turn. Let’s start with a definition of ISO: What is ISO?ISO actually has two definitions, depending on whether you’re discussing film or digital photography: ISO in traditional/film photographyIn traditional (film) photography, ISO (or ASA) is an indication of how sensitive a film is to light. In film photography, ISO is measured in numbers. You’ve probably seen them on film canisters: 100, 200, 400, 800, etc. The lower the number, the lower the sensitivity of the film, and the finer the grain that will appear in your photos. ISO in digital photographyIn digital photography, ISO measures the sensitivity of the image sensor. The same principles apply as in film photography: The lower the number, the less sensitive your camera is to light and the finer the resulting grain. Higher numbers mean your sensor is more sensitive to light, and this allows you to use your camera in darker situations. The cost of doing so is more grain – although cameras are improving all the time. Today, many cameras can use high ISO settings and still get very useable images. Here’s a time when you might want to choose a higher ISO: If you’re photographing an indoor sporting event where the light is low and your subject is moving fast. In such a situation, by choosing a higher ISO, you can use a faster shutter speed to freeze the athletes’ movement. ISO settings and grainChoosing higher ISO settings comes with a serious cost: The higher your ISO, the more grain or noise that appears in your photos. I’ll illustrate this below with two enlargements. The image on the left was taken at ISO 100, and the image on the right was taken at ISO 3200. Can you see the difference? The high-ISO photo (right) is full of unpleasant noise, whereas the low-ISO photo (left) is completely clean. ISO 100 is a “normal” or “standard” ISO on most cameras. It’ll give you lovely, crisp shots (with little to no noise or grain). Most people tend to keep their digital cameras set to Auto mode, where the camera selects the appropriate ISO setting depending on the conditions you’re shooting in. However, most cameras also give you the opportunity to select your own ISO. When you do override your camera to choose a specific ISO, you’ll notice that this impacts the aperture and shutter speed needed for a well-exposed shot. For example: If you bumped your ISO up from 100 to 400, you’ll notice that you can shoot at faster shutter speeds and/or smaller apertures. Questions to ask when choosing ISOWhen choosing my ISO setting, I generally ask myself the following four questions:
If there is plenty of light, I want little grain, I’m using a tripod, and/or my subject is stationary, then I will generally use a relatively low ISO rating. If it’s dark, I want grain, I don’t have a tripod, and/or my subject is moving, I might consider increasing my ISO. This will enable me to shoot with a faster shutter speed and still expose the shot well. Of course, the trade-off will be noisier shots. Situations where you might need to push ISO higher include:
ISO is an important aspect of digital photography to have an understanding of if you want to gain more control over your digital camera. So experiment with different settings and how they impact your images. And in particular, learn more about aperture and shutter speed, which – along with ISO – are a part of the exposure triangle. Enjoy this post? Subscribe to dPS to get a weekly newsletter with all our latest tutorials (and it’s all completely free!). More photography tips for beginnersFeel like a beginner at photography? We’ve compiled our best tutorials for beginners here on our Photography Tips for Beginners page. The post ISO Settings in Digital Photography appeared first on Digital Photography School. It was authored by Darren Rowse. Photography via Digital Photography School https://ift.tt/29wB9CX November 3, 2020 at 03:11AM
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Canon will be officially announcing the RF 50mm f/1.8 STM and RF 70-200mm f/4L IS USM imminently, but pricing has leaked out ahead of the official announcement. The Canon RF 50mm f/1.8 STM will be $199 USD and the Canon RF 70-200mm f/4L USM will be $1299. Both of these are inline with their EF counterparts. Photography via Canon Rumors https://ift.tt/2v4dYqS November 2, 2020 at 07:41PM
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Portland, OR – November 2, 2020 – ON1, developers of software applications and plugins for photographers, released an all-new ON1 Photo RAW for computers and mobile devices. The new version 2021 for computers includes new organizational tools, full integration of ON1 Portrait AI, numerous all-new creative features, many other workflow enhancements, and several new features in the integrated Photo RAW for Mobile app. The new versions include some incredible enhancements for all photographers, regardless of the type of photography they shoot. Learn more about ON1 Photo RAW 2021
Professional Photos without the Hassle “We’ve been developing photography software for more than 15 years. From this experience, we’ve heard of every cool filter effect, feature request, and all the challenges from every type of photographer. Our approach with Photo RAW for desktop and mobile sets us apart from the other photography software companies. The ON1 solution is a single app experience that delivers professional quality results across all your computers and mobile devices, while keeping you in control of every aspect of your photo passion. No longer do you have to hassle with multiple software apps, forced storage locations or required software subscriptions to create your photographic vision,” says Craig Keudell, President of ON1. New Features in ON1 Photo RAW for Computers
New Features in ON1 Photo RAW for Mobile
Pricing & Availability For those who prefer the convenience of subscriptions, ON1 Photo RAW 360 Software and Service subscribers will automatically receive the new ON1 Photo RAW for computers and the new ON1 Photo RAW for mobile as part of their 360 plans. ON1 Photo RAW 360 always includes the latest version of ON1 Photo RAW, and starting plans are available as low as $7.99 per month. ON1 Photo RAW 360 includes everything from ON1 and is the best workflow for ON1 Photo RAW with its seamless cloud syncing of photo organization and editing between computers and mobile devices. Photo RAW 360 plans include ON1 Photo RAW for computers, ON1 Photo RAW for mobile devices, and the ON1 Photo RAW cloud syncing. A single purchase of any ON1 products include Windows and macOS versions, for use on two computers, and support for 11 languages. For a limited time, any purchase of the new ON1 Photo RAW includes bonuses of 20 additional ON1 Watercolor Brushes and 20 additional ON1 Presets covering Light and Airy and Monochrome Style looks. Photography via Canon Rumors https://ift.tt/2v4dYqS November 2, 2020 at 12:49PM
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The Canon RF 85mm f/2 Macro IS STM recently began shipping to much fanfare. This brand new short telephoto is going to find its way into many camera bags as quickly as Canon can build them. Gordan Laing from CameraLabs has completed his full review of the RF 85mm f/2 Macro IS STM. You can watch the video above, or hit the article link after the break.
Gordon’s summary:
Photography via Canon Rumors https://ift.tt/2v4dYqS November 2, 2020 at 10:53AM |
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